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Ian imbued this standard-in-waiting with a full measure of empathy. (Smith Dykins) Atkins 1836-1913, A History. Titles: At Seventeen Fly Too High From Me to You I Hear You Sing Again In the Winter Jesse Joy Love Is Blind Ride Me Like a Wave Society's Child Stars Tattoo The Last Train The. This book provides authentic guitar TAB for all the songs included. “Some people’s lives are as cold as their lips/They just need to be kissed,” it observes. Evolution Of Immortality: Extreme Futurism In The Eyes Of A HumanistAdam Stanczyk, A Taste Of Japan: Food Fact And Fable, What The People Eat, Customs And EtiquetteDonald Richie, Abraham LincolnSmith D. The Janis Ian Guitar Songbook features 14 of Janis Ian's biggest hits. One of the best was “Bright Lights and Promises,” the downbeat story of a “hometown queen” with show business dreams who ends up working in a sleazy bar.īesides “At Seventeen,” my favorite song was “Some People’s Lives,” a spare, tender heartbreaker written with Kye Fleming that became the title song of a 1990 Bette Midler album and has the flavor of a John Prine lament. Ian demonstrated her skill as a guitarist and pianist, some of whose songs incorporate strong blues elements. A recent song, “Married in London,” wittily describes the absurdity of traveling from a place where gay marriage was legal to another where it was not. The 90-minute solo concert in which she accompanied herself on guitar and piano was a carefully chosen program of her best songs, interspersed with stories about her embattled relationship with the record business, her insecurity about her songwriting, and her personal life.īased in Nashville for more than two decades, she is married to a woman. Ian has always been drawn to the soapbox. In its bluntness, “Society’s Child” belongs to the polemical mode of early Bob Dylan and Paul Simon, influences that have waned, although not completely. Her first hit, the protest song “ Society’s Child,” about an interracial romance whose first-person narrator ends the relationship because of social pressure, managed to offend everybody, she recalled.
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Ian acknowledged that “At Seventeen,” released in 1975, was the most likely candidate to give her the artistic immortality that she said was every songwriter’s dream.įrom the beginning of her career in the mid-1960s, when she was in her early and midteens, Ms. Folk Fest - Chord Songbook Over 40 traditional and contemporary songs from the world of folk and folk-rock, all presented with complete lyrics and a detailed chord guide. Many of those who are wounded carry for the rest of their lives some degree of scarring The pecking order of high-school popularity is as ruthless today as it always was. had learned the organ, harpsichord, French horn, flute and guitar. Ian, now 64 and white-haired, performed “At Seventeen” on Friday at the Appel Room as part of Lincoln Center’s American Songbook series, the song’s pain and anger still felt as raw as though it had been written last week. Janis Ian (born Janis Eddy Fink, April 7, 1951) is an American songwriter, singer. Has there ever been a major pop hit more brutally self-lacerating than Janis Ian’s confessional song “ At Seventeen,” in which she used the words “ugly duckling girls like me” to describe the misery of not being a high-school golden girl? The wounds of adolescent rejection and cruelty may eventually heal, but they leave scars.Īs Ms.